Atkinson Grimshaw
Atkinson Grimshaw's Oil Paintings
Atkinson Grimshaw Museum
6 September 1836 -- 13 October 1893, Victorian-era artist.

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Here are all the paintings of Arkhip Ivanovich Kuindzhi 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
23230 Birch Grove (nn02) Arkhip Ivanovich Kuindzhi Birch Grove (nn02) 1879 Oil on canvas (dimensions unknown) state Russian Museum,Leningrad
35267 Cloud Arkhip Ivanovich Kuindzhi Cloud cn40 1900-1905 Oil painting 140x194cm
35252 Dnieper-s Moonlight Arkhip Ivanovich Kuindzhi Dnieper-s Moonlight cn40 1880 Oil painting 105x144cm
35245 Dniester Arkhip Ivanovich Kuindzhi Dniester cn40 1901
35264 Elbrus Arkhip Ivanovich Kuindzhi Elbrus cn40 1898-1908 Oil painting 36x62cm
35260 Elbrus-Moonlight Arkhip Ivanovich Kuindzhi Elbrus-Moonlight cn40 1890-1895 Oil painting 36.5x55.4cm
35255 Eventide Arkhip Ivanovich Kuindzhi Eventide cn40 1885-1890 Oil painting 29x57.5cm
35256 Eventide Arkhip Ivanovich Kuindzhi Eventide cn40 1890-1895 Oil painting 38.7x55.5cm
35241 Landscape Arkhip Ivanovich Kuindzhi Landscape cn40 1874
35244 Landscape Arkhip Ivanovich Kuindzhi Landscape cn40 1885-1890 Oil painting 39x53cm
35246 Landscape Arkhip Ivanovich Kuindzhi Landscape cn40 182 Oil painting 70x110cm
35247 Landscape Arkhip Ivanovich Kuindzhi Landscape cn40 1873 Oil painting 76x130cm
35248 Landscape Arkhip Ivanovich Kuindzhi Landscape cn40 1873 Oil painting 79.5x62.5cm
35258 Landscape Arkhip Ivanovich Kuindzhi Landscape cn40 1890-1895 Oil paiting 38.8x52.9cm
35265 Landscape Arkhip Ivanovich Kuindzhi Landscape cn40 1898-1908 Oil painting 39x53.5cm
35268 Landscape Arkhip Ivanovich Kuindzhi Landscape cn40 1898-1908 Oil painting 40x54cm
35269 Landscape Arkhip Ivanovich Kuindzhi Landscape cn40 1905-1908 Oil painting 107x169cm
35259 Noon-the drove on the campo Arkhip Ivanovich Kuindzhi Noon-the drove on the campo cn40 1890-1895 Oil painting 42x51cm
35249 North Arkhip Ivanovich Kuindzhi North cn40 1879 Oil painting 132x103cm
35263 Oak Arkhip Ivanovich Kuindzhi Oak cn40 1900-1905 Oil painting 63x164cm
77787 Portrat der Vittoria Marini Arkhip Ivanovich Kuindzhi Portrat der Vittoria Marini Deutsch: um 1850 English: c. 1850 Medium Oil on canvas Dimensions Deutsch: 63,5 ?? 47,1 cm cyf
35266 Rainbown Arkhip Ivanovich Kuindzhi Rainbown cn40 1900-1905 Oil painting 110x171cm
35250 Silver Birch Arkhip Ivanovich Kuindzhi Silver Birch cn40 1879 Oil painting 91x181cm
35257 Sunset Arkhip Ivanovich Kuindzhi Sunset cn40 1890-1895 Oil painting 40.5x53.5cm
35243 The Boat on the sea Arkhip Ivanovich Kuindzhi The Boat on the sea cn40 1875
35251 The empress of rain Arkhip Ivanovich Kuindzhi The empress of rain cn40 1879 Oil painting 102x159cm
35253 The evening of Ukraine Arkhip Ivanovich Kuindzhi The evening of Ukraine cn40 1878-1880 Oil painting 81x163cm
35261 The far-away place of forest Arkhip Ivanovich Kuindzhi The far-away place of forest cn40 1890-1895 Oil painting 30.5x25cm
35254 The Lake in the forest-Cloud Arkhip Ivanovich Kuindzhi The Lake in the forest-Cloud cn40 1890 Oil painting 38.4x55.5cm
35242 The night of Ukraine Arkhip Ivanovich Kuindzhi The night of Ukraine cn40 1876
35262 The sun in the park Arkhip Ivanovich Kuindzhi The sun in the park cn40 1898-1908

Arkhip Ivanovich Kuindzhi
Russian Painter, 1842-1910 Ukrainian painter, active in Russia. Initially self-taught as an artist, he twice failed the St Petersburg Academy's entrance examination, despite coaching by the marine painter Ivan Aivazovsky. In 1868, however, he was accepted as an external student. He persevered against conservative prejudice and poverty throughout his early career, supplementing his income by retouching photographs. In his early landscape paintings he often sought to capture seasonal moods, as in Autumn Mud (1872; St Petersburg, Rus. Mus.). A more human focus, however, is noticeable after 1874, when he joined the travelling exhibitions society the WANDERERS: the village houses dominate the landscape setting in Evening in Ukraine (1878; St Petersburg, Rus. Mus.). Kuindzhi's principal interest, however, was in lighting, and he obtained striking effects by using vivid colours, chiaroscuro contrasts and simple but cleverly conceived designs. Spectacular paintings, such as the Birch Grove (1879; Moscow, Tret'yakov Gal.), greatly moved contemporary viewers. Through years of experimentation, Kuindzhi developed a highly original technique, which he applied to an increasingly typical, at times almost visionary, treatment of subjects such as snow-covered mountains and moonlight (e.g. Elbnis: Moonlit Night, 1890-95; Moscow, Tret'yakov Gal.). Due to imperfections in the paints he used, many of his canvases soon darkened.
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