Atkinson Grimshaw
Atkinson Grimshaw's Oil Paintings
Atkinson Grimshaw Museum
6 September 1836 -- 13 October 1893, Victorian-era artist.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  
  

Atkinson Grimshaw.org, welcome & enjoy!
Atkinson Grimshaw.org
 


Here are all the paintings of Abraham van den Tempel 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
84329 Albertine Agnes von Oranien Nassau Abraham van den Tempel Albertine Agnes von Oranien Nassau Öl auf Leinwand, Fries Museum, Leeuwarden cyf
70963 Minerva Crowns the Maid of Leiden Abraham van den Tempel Minerva Crowns the Maid of Leiden 1650 Oil on canvas 176 x 221 cm (69.29 x 87.01 in)
72311 Minerva Crowns the Maid of Leiden Abraham van den Tempel Minerva Crowns the Maid of Leiden Date 1650 Medium Oil on canvas Dimensions 176 X 221 cm (69.29 X 87.01 in) cyf
91937 Portrait of a Lady Abraham van den Tempel Portrait of a Lady Oil on canvas 1660-1663 cjr
73406 Portrait of a Woman Abraham van den Tempel Portrait of a Woman Portrait of a Woman (alternative title: Portrait of the widow of admiral van Balen) 1670(1670) Oil painting on canvas 123 x 103.5 cm cjr

Abraham van den Tempel
(1622?C1672) was a Dutch Golden Age painter. He probably learned painting from his father, also a painter, but who died when he was still quite young, in 1636. That is the same year that he moved to Amsterdam, where he stayed until 1647, whereupon he moved to Leiden. According to Houbraken he was the son of a Mennonite preacher in Leeuwarden who was a respected art teacher. His father was Lambert Jacobsz (or Jacobszoon), who had taught Govert Flinck and Jacob Adriaensz Backer in their youth, both of whom were artists from Mennonite families. Abraham took the name Tempel because when he studied in Leiden, he lived in a house there with a relief of a Tempel in the keystone. He became a pupil of Jacob Backer, and studied mathematics at Leiden University. He met with great success with the Leiden city council, earning several generous commissions, including a series of three large allegorical paintings on the cloth industry of Leiden for the Cloth Hall which still hang in their original place today in the Stedelijk Museum De Lakenhal. Sir William Davidson of Curriehill, Conservator of the Cloth Staple at Veere (with his son Charles), 1664.He became master of the Guild of St. Luke in 1657 and in 1659 he was chartermaster. In 1660 he returned to Amsterdam. His pupils were Frans van Mieris the Elder, Carel de Moor, Michiel van Musscher, Ary de Vois, and Isaac Paling
Atkinson Grimshaw
All the Atkinson Grimshaw's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved